DIGITAL TRANSFORMATION AND SUSTAINABILITY OF CULTURAL COMMUNITIES
Abstract
This article examines the role of digital technology in the preservation of cultural heritage, focusing on community development and the preservation of traditional Javanese arts. Based on the literature review and field observations, this article discusses a paradigm shift in cultural preservation and promotion through digital technology, especially in the context of traditional Javanese music. Previous studies have shown that the internet and digitalization play an essential role in promoting and sustaining cultural wealth. This article explores how digital technologies facilitate traditional music's recording, archiving, and distribution, thereby expanding access for modern society and the global community. Platforms like Google Arts & Culture strategically introduce cultural heritage by providing open access to art and cultural collections from different countries, making traditional culture more accessible and appreciated by the wider community. The discussion also highlighted the role of online cultural communities as the main driver in preserving and promoting culture in the digital era. Technology expands access to and distribution of cultural information and encourages collaboration, innovation, and connectivity between individuals and communities. This article is part of the author's efforts to assist the community development process in the cultural community in Klaten, emphasizing the importance of digital technology as a strategic tool in community development and cultural preservation. This technology is expected to be adopted by individuals, organizations, and governments to maintain and develop cultural heritage to remain relevant.
Downloads
References
Apostolidou, A., Daskalaki, I., & Niari, M. (2020). “Anthropological intersections between new reproductive technologies and new digital technologies.” TECHNO REVIEW. International Technology, Science and Society Review/Revista Internacional de Tecnología, Ciencia y Sociedad, vol. 9, no. 1, pp. 49–59.
Bautista, S. S. (2013). “Museums in The Digital Age: Changing Meanings of Place, Community, and Culture. Rowman & Littlefield.”
Burgess, J., & Green, J. (2018). “YouTube: Online video and participatory culture. John Wiley & Sons.”
Cowin, J. B. (2020). “Digital Worlds and Transformative Learning: Google Expeditions, Google Arts and Culture, and the Merge Cube.” International Research and Review, 10(1), 42–53.
Dovbysh, O., & Lehtisaari, K. (2020). “Local Media of Post-Soviet Countries: Evidence from Belarus, Russia, and Ukraine.” Demokratizatsiya: The Journal of Post-Soviet Democratization, 28(3), 335–343.
Fitriana, Y. N., & Putra, R. D. (2022). “Preserve our culture”: The use of digital music platform in the ethnic music community. Bricolage: Jurnal Magister Ilmu Komunikasi, 8(1), 41–50.
Goodrich, K., & De Mooij, M. (2014). “How ‘Social’are Social Media? A Cross-Cultural Comparison of Online and Offline Purchase Decision Influences.” Journal of Marketing Communications, 20(1–2), 103–116.
Sudipa, I. G. I., Aditama, P. W., & Yanti, C. P. (2022). “Evaluation of Lontar Prasi Bali Application Based on Augmented Reality Using User Experience Questionnaire.” East Asian Journal of Multidisciplinary Research, 1(9), 1845–1854. https://doi.org/10.55927/eajmr.v1i9.1531
Jati, R. P. (2022). “Advancing Local Culture Through Hyperlocal Media.” International Journal of Multicultural and Multireligious Understanding, 9(2), 362. https://doi.org/10.18415/ijmmu.v9i2.3522
Lievrouw, L. A. (2023). “Alternative and activist new media.” John Wiley & Sons.
Mihelj, S., Leguina, A., & Downey, J. (2019). “Culture is digital: Cultural participation, diversity and the digital divide.” New Media & Society, 21(7), 1465–1485.
Amali, L. N., Katili, M. R., & Ismail, W. (2022). “Preservation of intangible and tangible cultural heritage using digital technology.” Indonesian Journal of Electrical Engineering and Computer Science, 28(2): 980-986. https://doi.org/10.11591/ijeecs.v28.i2.pp980-986
Özdemir, D. (2022). “A Conceptual Framework on the Relationship of Digital Technology and Art.” International Journal on Social and Education Sciences, 4(1), 121–134.
Reason, P., & Bradbury, H. (2001). “Handbook of Action Research: Participative Inquiry and Practice (H. Bradbury, Ed.; Reason, Peter). Sage Publications.
Syarif, A. M., Azhari, A., Suprapto, S., & Hastuti, K. (2020). “Human and Computation-based Music Representation for Gamelan Music.” Malaysian Journal of Music, 9: 82–100. https://doi.org/10.37134/mjm.vol9.7.2020
Tacchi, J., Slater, D., & Hearn, G. (2003). “Ethnographic Action Research.” Research Methods in Psychology.
Tait, et al. (2016). “(Re) presenting heritage: Laser scanning and 3D visualisations for cultural resilience and community engagement.” Journal of Information Science. 42(3): 1-14. https://journals.sagepub.com/doi/abs/10.1177/0165551516636306
Tseng, Y.-K., Chen, H.-K., & Hsu, P.-Y. (2013). “The Use of Digital Images Recording Historical Sites and ‘Spirit of Place’: A Case Study of Xuejia Tzu-chi Temple.” International Journal of Humanities and Arts Computing, 7(supplement): 156–171. https://doi.org/10.3366/ijhac.2013.0067
Verde, A., & Valero, J. M. (2021). “Virtual museums and Google arts & culture: Alternatives to the face-to-face visit to experience art.” International Journal of Education and Research, 9(2), 43–54.
Wikandini, N. A., Arindawati, W. A., & Nurkinan, N. (2022). “Strategi Komunikasi Sanggar Seni dalam Melestarikan Kebudayaan Melalui Media Sosial: Studi Deskriptif Kualitatif Gawean Parikesit Melestarikan Kebudayaan Melalui Youtube.” Syntax Literate: Jurnal Ilmiah Indonesia, 7(5), 6277–6286.
Yuliati, D., et al. (2023). “Using social media for preserving the Javanese traditional arts: Adaptation strategy of Sobokartti in the Millenial Era.” Cogent Arts & Humanities, 10(1): 2180875, 1-14. https://doi.org/10.1080/23311983.2023.2180875